“Every day, I come by your house and I pick you up.

[DavidCroquet]

I remember No Country for Old Men was described alternately as "a postmodern western" and "a modern western," but for me it was a slow chase movie where no-one wins. Ari Aster seems to revel in messing with the viewer; Beau is Afraid is remarkably divisive, but even though I love it, it is very difficult to categorize.

I think Beau is Afraid is funky enough to be misunderstood or have mixed recepition, but will eventually be recognized for it's overall captial-G Greatness.

Eddington, on the other hand, might not even be a good movie, but the more I think about it the more I feel like I come to understand the intention and message, and feel like there's something valuable being conveyed there. I almost want some other director to try and address the same concept, but like...more gooder.